La Grande Odalisque and Olympia: Comparison/Contrast

Two exquisite photos with a female reclining nude sculpture as the focal point are La Grande Odalisque by blue jean Auguste Dominique Ingres and capital of Washington by douard Manet. The female nude has been a crucial equal to(p) for art throughout history. The angular curves and the sensuality that can be created with meet a form has intrigued artist in the past, present, and future. While the similarities of these twain painting are more evident, in that respect are still contrast between the pieces.Ingres was from France and he painted during the Neoclassical Period, while Manet, who was also from France, painted during the reality and Impressionistic Periods. Their live everyplacelapped each other for only thirty years, only if their styles belonged to different periods. Ingres lived through the French Revolution and was truly a great deal unnatural by it although Manet was born after it was over.Seeing such a forceful change in the world in which he lived caused Ingres to pay very close attention to the details of the past. He wanted to preserve it suddenly and he also looked to the techniques of the masters before him. Manet was not so much concerned for the past, besides his eyes were on the present. His subjects represent the French social and cultural setting of the time period in which he lived.La Grande Odalisque by Ingres is an oil painting of a l whizz nude female reclining on her bed. Her body faces away from the viewer, while the muliebrity looks back over her shoulder. There is only a glimpse of her breast under one of her arms and the rounded sides of her buttocks are visible.Olympia by Manet has two females in the oil painting. One is a black servant woman and the reclining female nude. Manet depicted his nude facing the viewer. Her breasts are all told overt and her genitals are cover by her hand. There is a equatorial feel in Manets painting Even though she has covered part of herself, this female seems more open with her nudity and the female in Ingres painting is more subtle and alluring with her body.Ingres uses muted shades of kB jewel tones to create an elegant effect. Manet also incorporates the color green, but he emphasizes the stark white which allows the female to stand out. The white also gives a harshness to the painting. It is as if someone turned on a adroit overhead light in the middle of a sensual moment. The pretense in Ingres painting tends to blend with her surroundings.Both females hold something with her hand, but Ingres females fan is one of peacock feathers which blends in with the rich tones of the background. At the barefoot of Ingres nude, there is a pipe and green stool, while there is a black cat at the high healed feet of Manets. Manets figure wears an orchid in her hair as well as the shoes. She finds no modesty with the observation of her servants stare and is completely open with her sexuality.The female nude is the predominate subject of two paintings but the differences reflect their artist and there artistic periods. While they are both alluring, they are also starkly contrasted. Manet and Ingres were definitely masters of their times, and the La Grande Odalisque and Olympia are examples of both of their best work. Both of these works are alluring and sensual paintings that will mystify viewers as long as the two works exist.